{"id":19882,"date":"2025-11-24T01:10:06","date_gmt":"2025-11-24T01:10:06","guid":{"rendered":"https:\/\/jtcarthage.tn\/?p=19882"},"modified":"2025-11-24T01:10:06","modified_gmt":"2025-11-24T01:10:06","slug":"tartuffe","status":"publish","type":"post","link":"https:\/\/jtcarthage.tn\/en\/tartuffe\/","title":{"rendered":"Tartuffe\u00a0"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<strong>Tartuffe<\/strong><strong>\u00a0<\/strong><\/p>\n<p><strong>Country: <\/strong>Russia<br \/>\n<strong>Production: <\/strong>MOSSOVET STATE ACADEMIC THEATRE (MOSCOW, RUSSIA)<br \/>\n<strong>Text: <\/strong>Moli\u00e8re\u2019s play \u201cTartuffe, or The Impostor\u201d.<br \/>\n<strong>Direction and Dramaturgy: <\/strong>Evgeny Marchelli<\/p>\n<p><strong>Scenography<\/strong><strong>: <\/strong>Anastasia Bugaeva<\/p>\n<p><strong>Performance : <\/strong>Olga Ostroumova &#8211; Valery Yaremenko &#8211; Daria Balabanova &#8211; Ekaterina Devkina &#8211; Ivan Rastorguev &#8211; Vladimir Prokoshin &#8211; Vitaly Kishchenko &#8211; Alexey Shmarinov &#8211; Daria Taran -Vanya Pishchulin &#8211; Oleg Ots &#8211; Arseny Vasilyevykh.<br \/>\n<strong>Language: Russian <\/strong><strong>with frensh and English subtitle\u00a0<\/strong><br \/>\n<strong>Duration:<\/strong> 130 minutes (with 1 intermission)<br \/>\n*Age recommendation: 16+<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nMoli\u00e8re\u2019s timeless comedy *Tartuffe*, long celebrated and twice banned in its day, remains a sharp satire on hypocrisy that has lost none of its relevance in 360 years. In the Mossovet Theatre\u2019s production, director Evgeny Marchelli uncovers fresh psychological layers within this classic, revealing new dimensions of its familiar characters. After her wedding, Elmire, Orgon\u2019s youthful and lively wife, transforms their home into a place of constant festivity. Her exuberance unsettles Orgon, making him increasingly vulnerable to the manipulations of Tartuffe, the pious imposter who infiltrates the household under the guise of virtue. As confusion and tension grow, the play builds toward a single pressing question: how far will Tartuffe\u2019s influence go, and what will become of this household ensnared by deception?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Contact:<\/strong><a href=\"mailto:teatrmossoveta@culture.mos.ru\">teatrmossoveta@culture.mos.ru<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;19876&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;19873&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;19870&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Tartuffe\u00a0 Country: Russia Production: MOSSOVET STATE ACADEMIC THEATRE (MOSCOW, RUSSIA) Text: Moli\u00e8re\u2019s play \u201cTartuffe, or The Impostor\u201d. Direction and Dramaturgy: Evgeny Marchelli Scenography: Anastasia Bugaeva Performance : Olga Ostroumova &#8211; Valery Yaremenko &#8211; Daria Balabanova &#8211; Ekaterina Devkina &#8211; Ivan Rastorguev &#8211; Vladimir Prokoshin &#8211; Vitaly Kishchenko &#8211; Alexey Shmarinov &#8211; Daria Taran -Vanya Pishchulin [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":19876,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123],"tags":[],"_links":{"self":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/19882"}],"collection":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/comments?post=19882"}],"version-history":[{"count":1,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/19882\/revisions"}],"predecessor-version":[{"id":19883,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/19882\/revisions\/19883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media\/19876"}],"wp:attachment":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media?parent=19882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/categories?post=19882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/tags?post=19882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}