{"id":18551,"date":"2024-11-22T19:37:50","date_gmt":"2024-11-22T19:37:50","guid":{"rendered":"https:\/\/jtcarthage.tn\/?p=18551"},"modified":"2024-11-22T19:42:56","modified_gmt":"2024-11-22T19:42:56","slug":"endgame","status":"publish","type":"post","link":"https:\/\/jtcarthage.tn\/en\/endgame\/","title":{"rendered":"Endgame"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><b>Endgame<\/b><\/p>\n<p><b>Country<\/b><span style=\"font-weight: 400;\">: Egypt<\/span><\/p>\n<p><b>Production\u00a0: <\/b><span style=\"font-weight: 400;\">Taleaa Theater<\/span><\/p>\n<p><b>Direction <\/b><span style=\"font-weight: 400;\">:Saeed Kabeel<\/span><b>\u00a0<\/b><\/p>\n<p><b>Text\u00a0: <\/b><span style=\"font-weight: 400;\">Samuel Beckett translated by Paul Chaoul\u00a0<\/span><\/p>\n<p><b>Set Design<\/b><span style=\"font-weight: 400;\">: Ahmed Gamel<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Light: Ibrahim Forn\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Costume : Maha Abd Rahmen\u00a0<\/span><\/p>\n<p><b>Music<\/b><span style=\"font-weight: 400;\">\u00a0: Saeed Kabeel<\/span><\/p>\n<p><b>Language : <\/b><span style=\"font-weight: 400;\">Egyptian dialect\u00a0<\/span><\/p>\n<p><b>Duration: <\/b><span style=\"font-weight: 400;\">47 minutes<\/span><b>\u00a0<\/b><\/p>\n<p><b>Performance : <\/b><span style=\"font-weight: 400;\">Mahmoud Zaki, Mohamed Salah, Lamiaa Gaafar, Mohamed Fawzy Raies .<\/span><\/p>\n<p><b>Synopsis<\/b><span style=\"font-weight: 400;\">:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Endgame is a play by Samuel Beckett, about a blind, paralyzed, and tyrannical old man (Ham), his elderly parents (Nag and Nell) and his submissive companion (Clov) in an abandoned house in a post-apocalyptic wasteland. The dialogue is brief, back-and-forth between the characters. The title of the play refers to a game of chess and frames the characters as representing a losing battle with each other or with their fate. These differently-abled characters represent different generations. The place is closed off with two high windows that only Clov can climb to using a ladder, trying to find any life outside this place.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Contact\u00a0: <\/span><a href=\"mailto:Saeedkabil1@gmail.com\"><span style=\"font-weight: 400;\">Saeedkabil1@gmail.com<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;18540&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;18543&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;18546&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Endgame Country: Egypt Production\u00a0: Taleaa Theater Direction :Saeed Kabeel\u00a0 Text\u00a0: Samuel Beckett translated by Paul Chaoul\u00a0 Set Design: Ahmed Gamel Light: Ibrahim Forn\u00a0 Costume : Maha Abd Rahmen\u00a0 Music\u00a0: Saeed Kabeel Language : Egyptian dialect\u00a0 Duration: 47 minutes\u00a0 Performance : Mahmoud Zaki, Mohamed Salah, Lamiaa Gaafar, Mohamed Fawzy Raies . Synopsis: Endgame is a [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":18540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101],"tags":[],"_links":{"self":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/18551"}],"collection":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/comments?post=18551"}],"version-history":[{"count":2,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/18551\/revisions"}],"predecessor-version":[{"id":18553,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/18551\/revisions\/18553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media\/18540"}],"wp:attachment":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media?parent=18551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/categories?post=18551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/tags?post=18551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}