{"id":17564,"date":"2023-11-29T16:49:35","date_gmt":"2023-11-29T16:49:35","guid":{"rendered":"https:\/\/jtcarthage.tn\/?p=17564"},"modified":"2023-11-29T16:52:04","modified_gmt":"2023-11-29T16:52:04","slug":"mute","status":"publish","type":"post","link":"https:\/\/jtcarthage.tn\/en\/mute\/","title":{"rendered":"Mute"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><b>Mute\u00a0<\/b><\/p>\n<p style=\"text-align: justify;\"><b>Country: <\/b><span style=\"font-weight: 400;\">Kuwait<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Production: <\/b><span style=\"font-weight: 400;\">Sabab theater<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Text and Staging: <\/b><span style=\"font-weight: 400;\">Sulayman Al Bassam<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Set Design: <\/b><span style=\"font-weight: 400;\">E\u0301ric Soyer<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Music: <\/b><span style=\"font-weight: 400;\">Two or The Dragon of <\/span><span style=\"font-weight: 400;\">Abed Kobeissy and Ali Hout<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">production manager : Oussema Jemai<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Language: <\/b><span style=\"font-weight: 400;\">Arabic with frensh subtitle<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Duration: <\/b><span style=\"font-weight: 400;\">60 minutes<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Performance: <\/b><span style=\"font-weight: 400;\">Hala Omran, Abed Kobeissy, Ali Hout\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Synopsis:<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The seismic event of the Beirut port explosion in August 2020 forms the backdrop to MUTE, a poetic-political text in which Al Bassam tests possible forms of resistance in the face of escalating violence and unprecedented media disinformation.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">MUTE is also a personal metaphor for the thinker and artist who chooses absolute silence, the total negation of speech, as his sovereign form of expression. Faced with the dissolution of the political concepts of left and right, and the geopolitical changes taking place in the Arab world, Al-Bassam poses the following question: how do we define artistic resistance today? What would happen were we to abandon traditional forms of narrative critique and posit silence as a tool of resistance?<\/span><\/p>\n<p>[\/vc_column_text][vc_single_image image=&#8221;17561&#8243; img_size=&#8221;medium&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Mute\u00a0 Country: Kuwait Production: Sabab theater Text and Staging: Sulayman Al Bassam Set Design: E\u0301ric Soyer Music: Two or The Dragon of Abed Kobeissy and Ali Hout production manager : Oussema Jemai Language: Arabic with frensh subtitle Duration: 60 minutes Performance: Hala Omran, Abed Kobeissy, Ali Hout\u00a0 Synopsis: The seismic event of the Beirut [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17561,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[85],"tags":[],"_links":{"self":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/17564"}],"collection":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/comments?post=17564"}],"version-history":[{"count":2,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/17564\/revisions"}],"predecessor-version":[{"id":17566,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/17564\/revisions\/17566"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media\/17561"}],"wp:attachment":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media?parent=17564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/categories?post=17564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/tags?post=17564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}