{"id":17314,"date":"2023-11-27T23:56:53","date_gmt":"2023-11-27T23:56:53","guid":{"rendered":"https:\/\/jtcarthage.tn\/?p=17314"},"modified":"2023-11-28T00:02:30","modified_gmt":"2023-11-28T00:02:30","slug":"escape-from-remorse","status":"publish","type":"post","link":"https:\/\/jtcarthage.tn\/en\/escape-from-remorse\/","title":{"rendered":"Escape from Remorse"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><b>Escape from Remorse<\/b><\/p>\n<p style=\"text-align: justify;\"><b>Country:<\/b><span style=\"font-weight: 400;\"> Tunisia<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Production :<\/b><span style=\"font-weight: 400;\"> Center for Dramatic and Scenic Arts of Tozeur\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Staging:<\/b><span style=\"font-weight: 400;\"> Abdelwahed Mabrouk\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Text:<\/b><span style=\"font-weight: 400;\"> Falah Shaker<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Music design:<\/b><span style=\"font-weight: 400;\"> Riadh Bedoui<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Music:<\/b><span style=\"font-weight: 400;\"> Hadhret \u201cLa\u00e2laoua\u201d de Sidi bou Ali Nafti \/ Hadhret \u201cEl Snania\u201d de sidi Abdelmalek Sunni Touzeur<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Video:<\/b><span style=\"font-weight: 400;\"> Zied Hamidi\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Costumes:<\/b><span style=\"font-weight: 400;\"> Jalila Madani<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Lighting:<\/b><span style=\"font-weight: 400;\"> Ramzi Nebili<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Language:<\/b><span style=\"font-weight: 400;\"> Literary Arabic<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Duration: <\/b><span style=\"font-weight: 400;\">90 minutes\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Performance:<\/b><span style=\"font-weight: 400;\"> Balkis Jaouadi &#8211; Rihab\u00a0 Anizi &#8211; Abdelwahed Mabrouk<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Synopsis :\u00a0<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Three characters grapple with an existential and psychological anguish induced by the burden of guilt. That guilt of victims turned executioners themselves. They seek the most direct and unmistakable path out. However, is it possible to emerge unharmed, free from wounds, pain, or loss?<\/span><\/p>\n<p>[\/vc_column_text][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;17308,17304&#8243; img_size=&#8221;medium&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Escape from Remorse Country: Tunisia Production : Center for Dramatic and Scenic Arts of Tozeur\u00a0 Staging: Abdelwahed Mabrouk\u00a0 Text: Falah Shaker Music design: Riadh Bedoui Music: Hadhret \u201cLa\u00e2laoua\u201d de Sidi bou Ali Nafti \/ Hadhret \u201cEl Snania\u201d de sidi Abdelmalek Sunni Touzeur Video: Zied Hamidi\u00a0 Costumes: Jalila Madani Lighting: Ramzi Nebili Language: Literary Arabic [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17304,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[85],"tags":[],"_links":{"self":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/17314"}],"collection":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/comments?post=17314"}],"version-history":[{"count":3,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/17314\/revisions"}],"predecessor-version":[{"id":17317,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/posts\/17314\/revisions\/17317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media\/17304"}],"wp:attachment":[{"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/media?parent=17314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/categories?post=17314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jtcarthage.tn\/en\/wp-json\/wp\/v2\/tags?post=17314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}